Melbourne’s Delivery have made a name for themselves with their brand of caustic, mutant garage-punk that sounds like the sun-baked desert vistas that populate Mad Max films (according to Brooklyn Vegan at least).

It’s been a hot sec since they returned to the EU/UK, and even longer since their last release - 2025’s “Force Majeure” via Heavenly Recordings, which plays like its title suggests; an unstoppable force of an album that hits like a battering ram and doubles as a calling card from your new favourite rock’n’roll band.

If their electric live show is anything to go by, Delivery aren’t ones to sit still for long, and with a run of sweaty bandroom shows on the cards it’s a safe bet to assume they’re up to something... what exactly that is remains to be seen.

“Oral Habit deal in what they call “the ear-rattling psychic dream of choked-up acid punks”, a sound that feels overpowering, explosive and intense: you could say it’s more closely aligned to the disoriented racket of mid-60s freakbeat than the pie-eyed beatitudes of the Summer of Love; equally you could suggest it’s a very contemporary form of psychedelia, rebooted for the troubled, disturbing climate of 2025.

Initially a home recording project of frontman Charlie Hales now expanded into a trio with the addition of his brother Felix on drums, and Tippi Lewis on bass, Oral Habit’s recent EP Garage Frock! offers four short, sharp bursts that expand on the sound of its predecessor, Cardiovascular Spectacular, throwing up an impressively bloody and chaotic melange of guitar fuzz, echo-drenched vocals, feedback-drenched solos and primitive riffs that feels as if it was recorded with everything turned up to full volume, including the mellotron that decorates I’m Free.

Musical seeds are planted inside our worries. We change, and let them grow into beautiful plants.

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Worries and Other Plants, a six-member group of musicians from Switzerland and Argentina, unite poetry and music to meet somewhere amidst psychedelic sounds, spoken word, guitar riffs, and drum grooves.

To listen live is both a communal journey through this unique landscape and an exploration of your inner world and all the emotions within.

They will be touring several European cities in March and April 2027. Join the journey if you want to dance, feel, and discover.

Somehow it's been 13 years of us putting on bands and sinking pints...

To celebrate we're doing what we do best. Throwing together soem great bands at our favourite dive bar.

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Join us as we step into our terrible teens.

Tramhaus is a live wire five-piece band from Rotterdam, heralded for their energetic shows and driving, sing-along material. The band is known for their broad andever electrifyingsoundthatreachesfrompost-hardcore toshoegaze to punkrock. This amalgam is a product of the diverse and rich musical tastes of its members. Nonetheless, in a live setting, the band forms a strong union. It makes sure to grab the audience from the first to the last note in a maelstrom of emotions. In its short existence, the symbiotic group toured endlessly, gaining popularity along the way.

Cosmic exploration. Spiritual transformation. Unbridled spontaneity. These are the guiding principles of Pigeon, a psychedelic five-piece rooted in the English seaside town of Margate, yet making music that transcends borders. Their debut album, OUTTANATIONAL, is a thrilling collection of party songs without limits: think William Onyeabor in outer-space or early Hot Chip making motorik afrobeat in a 70s New York loft. Building on a string of acclaimed EPs that have been playlisted on 6Music and led to coveted live slots at UK festivals like Glastonbury, Pigeon have evolved out of Afro-disco territory into something moodier. It’s an expansive record laced with heady krautrock, post-punk and punk-funk, indebted to the power of the groove and questing to find the meaning of home. Pigeon must fly.

Every previous album by the radiant and heavy French trio SLIFT—brothers Jean and Rémi Fossat and drummer Canek Flores, a friend since high school - has been a fantasia—a composite of genres and forms that allowed the band to improvise, to jam on themes until they seemed to spiral together into space. But, in a bit of intentional irony, SLIFT’s fourth album is called Fantasia without actually being one. It is, instead, their leanest and most direct record, a pointed saga about overcoming international upheaval delivered by a band bearing down without wasting a second. SLIFT didn’t want to lose the message by playing too much. They’re preparing for a battle they think we can still win.